THE BRAVE NEW EARTH | Art Basel Miami Beach 2025
Featuring works by Bert Furnari · Courtney Kinnare · Facture · Ian Alistair Cochran · Jerry Ross Barrish · Karen Atta · Sol Bailey Barker
Debuting during Art Basel Miami Beach 2025, the immersive installation transforms The Ritz-Carlton South Beach’s oceanfront into a luminous, multi-sensory exploration of what life in 2525 could look and feel like. Merging art, sustainability, and human connection, BNE invites guests to step inside a utopian world where imagination becomes the catalyst for progress.
Dec 02, 2025 - Dec 07, 2025
Tue - Thur: 12 PM - 11 PM
Fri - Sat: 12 PM - 2 AM
Sun: 12 PM - 11 PM
About The Artists

Bert Furnari
Bert Furnari is a multidisciplinary artist and self-taught metal fabricator. He co-founded eleven20 Art Studios and Workshops in Easton, PA, where he operates a dynamic studio and metalworking shop. His medium of choice is aluminum, celebrated for its exceptional strength-to-weight ratio, malleability, durability, and sustainability. Remarkably, aluminum is 100% recyclable, with over 75% of all aluminum ever mined still in use today—a testament to its enduring and environmentally friendly nature.
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Courtney Kinnare
Courtney Kinnare is an artist and designer based in Brooklyn known for her vibrant mirrored works and functional artistic objects. Without feeling constricted to one medium or art form, she works intuitively to create abstract works of hyper-color palettes observed in the natural world, subconsciously documented throughout her life experiences. Each work is a unique experiment that studies the interaction of color, texture, and light, unveiling itself as it develops.
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Facture
Facture is a contemporary design studio located in Brooklyn, NY. Founded by designer Quincy Ellis, the studio creates dynamic pieces from molded resin by manipulating the elements of light, color and transparency. This exploration is central to all of Facture's work, with each design featuring unique colors, shades and opacities. The final product is a body of work that achieves new dimensions in the medium of resin, consisting of objects whose compositions and meaning change in response to the environments in which they are placed.
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Ian Alistair Cochran
Ian Alistair Cochran is a designer who is excited by unconventional materials and the relationship that emerges in working with them. He makes contemporary art furniture in resin, fiberglass, composites, and continues to explore other materials not typically used in the design world. Ian’s Plump furniture series has garnered significant press and fanfare.
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Jerry Ross Barrish
Jerry Ross Barrish, a fourth-generation San Franciscan, pursued studies in sculpture and film at the San Francisco Art Institute from 1970 to 1976. Upon earning his BFA and MFA, Barrish went on to produce three full-length narrative films. In 1988, he shifted his focus back to sculpture, specializing in creating figurative assemblages using plastic found materials, a passion he continues to pursue and create. Select notable works have been reborn into bronze sculptures. He is represented in many permanent collections including The Oakland Museum of California, Berkeley Art Museum, Crocker Museum and San Jose Art Museum.
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Karen Atta
Karen Atta is a sculptor whose work explores forms that are rooted in nature, science, and the supernatural. A Lebanese American, Karen was born in New York City, and raised in Southern California. Growing up in a mid-century surf town fostered an intense appreciation of art, music, and the natural environment. After receiving an MFA in sculpture from Concordia University in Montreal, Karen dove into music and secured a contract with Atlantic Records. Her music career led her back to New York, where she worked as an independent artist and ultimately founded Atta Studio.
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Sol Bailey Barker
Sol Bailey-Barker is a British multi-disciplinary artist working primarily with sculpture, sound and performance. Informed by the development of technologies that were for millennia seen as shamanic for their transformative power upon the landscape and their influence over life and death, Bailey-Barker's practice follows this journey of body-hacking and augmentation from the ancient sacred axe to contemporary prosthetics and machinery. Working with found objects, building immersive environments which combine the constructed with the found, he explores the uncertainty of history, revisiting narratives from a parallel non-colonial perspective.
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