by Quincy Ellis of Facture

TONE uses Quincy’s own range of nude tones as his color palette to explore and reference color by not only playing with saturation, gradients, and depth but also his personal narrative.The forms and technical aspects serve to create a dialogue between the constantly fluctuating conception of subtle tones and the context in which they engage.

Tone Bench in light beige by Facture is a resin furniture piece. Represented by contemporary art and design gallery Tuleste Factory in New York City.
Tone Bench (light)
Tone Bench (light)
Tone Bench (light)
Tone Bench in light beige by Facture is a resin furniture piece. Represented by contemporary art and design gallery Tuleste Factory in New York City.
Tone Bench (light)
Tone Bench (light)
Tone Bench (light)

Tone Bench (light)

$11,250.00
Tone Bench in dark beige by Facture is a furniture piece. Represented by contemporary art and design gallery Tuleste Factory in New York City.
Tone Bench (dark)
Tone Bench (dark)
Tone Bench (dark)
Tone Bench in dark beige by Facture is a furniture piece. Represented by contemporary art and design gallery Tuleste Factory in New York City.
Tone Bench (dark)
Tone Bench (dark)
Tone Bench (dark)

Tone Bench (dark)

$11,250.00
Tone Plane  III
Tone Plane  III

Tone Plane III

$19,500.00
Tone Plane  II
Tone Plane  II
Tone Plane  II
Tone Plane  II

Tone Plane II

$18,250.00
Tone Plane  I
Tone Plane  I

Tone Plane I

$20,500.00
Tone Halo V
Tone Halo V
Tone Halo V
Tone Halo V
Tone Halo V
Tone Halo V
Tone Halo V
Tone Halo V
Tone Halo V
Tone Halo V

Tone Halo V

$9,500.00
Tone Halo  IV
Tone Halo  IV
Tone Halo  IV
Tone Halo  IV
Tone Halo  IV
Tone Halo  IV

Tone Halo IV

$9,500.00
Tone Halo  III
Tone Halo  III
Tone Halo  III
Tone Halo  III
Tone Halo  III
Tone Halo  III
Tone Halo  III
Tone Halo  III

Tone Halo III

$9,500.00
Tone Halo  II
Tone Halo  II
Tone Halo  II
Tone Halo  II
Tone Halo  II
Tone Halo  II

Tone Halo II

$9,500.00

”This show is very personal to me. I wanted to challenge the perception of ‘nude tones’ with this work, so it's been more of an emotional process."
  —Quincy Ellis

Using the same tones for all the pieces, perception of each contextually is central to the work, producing a palette of visual subtleties, relationships and tonal changes in each piece that emulate our own fluid interpretation and relationship with colors.

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